Klassisk musikhistoria

The exercise was created 2024-12-11 by Knorring. Question count: 47.

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  • medeltiden church music and world music
  • medeltiden church music - religious with god’s message
  • medeltiden no instruments in church - devil
  • medeltiden orgel was developed and allowed in church
  • medeltiden 800-1450
  • medeltiden Gregorian chants written by monks
  • medeltiden world music played by troubadors and gycklare
  • medeltiden notes were developed (we still use them)
  • medeltiden monks sang in latin
  • renässansen means re-birth
  • renässansen musicians fascinated by ancient art, theater and music
  • renässansen more instruments used - more new and better
  • renässansen viola de gamba, harpa, luta, gröhorn and blockflöjt
  • renässansen started singing in canon, madrigals and polyphony
  • renässansen fascinated by philosophy and poetry - started to question only using religion
  • renässansen inspired by greek history and art
  • renässansen churches started singing in their own language and some allowed more instruments
  • barocken means crazy
  • barocken more strings instruments
  • barocken started making instrumental music without singing
  • barocken more feelings and changes in volume and tempo (från starkt till svagt = terassdynamik)
  • barocken Bach was a composer
  • barocken instrumental music became equal with sung music
  • barocken cembalon became a popular instrument
  • wienklassicism Vienna was the center of this kind of music
  • wienklassicism they moved the orchestra to the stage instead of the pit
  • wienklassicism they used crescendo and dimenuendo
  • wienklassicism 1750-1820
  • wienklassicism the orchestra got even bigger, symfoniorkestrar bildades
  • wienklassicism more people wanted to take part in konstmusik
  • wienklassicism all three composers lived in Vienna
  • wienklassicism trallvänliga melodier, melodierna var i fokus och repeterades ofta
  • romantiken in program music they wanted to express feelings with only instrumental music
  • romantiken the church and royalty lost control over music
  • romantiken hela 1800-talet och en bit in på 1900-talet
  • romantiken even larger orchestras som leddes av en dirigent
  • romantiken inspiration from folklore, old tales and nature (naturen, litteraturen, nationalism och det övernaturliga)
  • romantiken not much religious themes
  • wienklassicism under …… blev musiken enklare med tydligare struktur
  • romantiken denna musik var friare och mindre strikt
  • barocken Johann Sebastian Bach
  • barocken Antonio Vivaldi, italiensk violinist. Komponerade ”de fyra årstiderna”
  • barocken Georg Friedrich Händel
  • wienklassicism Ludwig van Beethoven, skrev Für Elise, bidrog till övergången till romantiken
  • romantiken Alice Tegnér, svensk kompositör 1800-talet, barnvisor tex Mors lilla Olle
  • wienklassicism Mozart
  • wienklassicism Joseph Haydn

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